‘Ms. Marvel’ trailer reveals a June 8th premiere on Disney+

Ms. Marvel, one of several Marvel Cinematic Universe shows coming to Disney+ this year, will premiere on June 8th. Disney also revealed a trailer for the series. It centers around Kamala Khan (Iman Vellani), a Pakistani-American whose idol is Captain Marvel.

It’s not too much of a spoiler to say that Kamala gains cosmic powers of her own, such as super strength and a shapeshifting ability, seemingly through mystical bracers. On top of becoming a superhero, Kamala has to contend with more ordinary aspects of life as a teenager, including high school, crushes, career counseling and parents.

Ms. Marvel (who’ll be familiar to those who’ve read the comics or played Marvel’s Avengers) is the MCU’s first Muslim superhero. She’ll also appear in The Marvels, which is scheduled to hit theaters on February 17th, 2023.

Before Ms. Marvel premieres, Moon Knight, which stars Oscar Issac, will debut on March 30th. On Wednesday, all the MCU shows that were previously exclusive to Netflix — including Daredevil, Jessica Jones and Luke Cage — will arrive on Disney+.

‘Diamond Hands’ offers a good, if narrow portrait of the GameStop stock squeeze

In early 2021, a group of retail investors realized that GameStop shares had been recklessly over-shorted by major investors. Big funds, certain that the retailer was about to collapse, had shorted 140 percent of the company’s entire public shareholding. Individuals, who co-ordinated their efforts via a subreddit called r/WallStreetBets, knew that they could exploit this vulnerability. They bought up all of the outstanding GameStop stock and drove up the price, forcing the big funds to pay over the odds to avoid losing a fortune when their bet spectacularly backfired.

It’s this story that is outlined, more or less, in MSNBC’s new documentary, Diamond Hands: The Legend of WallStreetBets, which debuted at SXSW 2022. It tells the story from the perspective of some of the individuals who signed up early and held on to their stake. Some used the squeeze to make a fortune, while others came away with a more modest, but still fantastic, profit. The decision to focus on these personal stories makes for an engaging tale at the human level, albeit one that’s very one-sided.

The film’s general thesis is that the short squeeze took place mostly thanks to the internet and what it has enabled. Without Reddit to coordinate the trades and Robinhood acting, at least at first, as a way around the stuffed-shirt brokerages, none of this would have happened. There is a suggestion that people were motivated to get into investing as a consequence of the stimulus checks. Which I don’t agree with, mostly because people weren’t sinking thousands of dollars into GameStop if all they had was a spare $600 to their name.

It also affords, as far as I’m concerned, a surprising amount of time to talk about the broken social contract most millennials feel hurt by. As useless as the term is, since “millennial” means anyone aged 26 to 41, it’s weird to see MSNBC allowing those under 50 to talk about their plight. Perhaps this marks a new and refreshing change as people who have lived through the last twenty years of utter turmoil are now deemed respectable enough to appear on the news.

The other noticeable thing is the lack of expert commentary from the usual types of Very Serious Men in Finance. The big money fund-types that lost their shirts on GameStop chose not to appear in the film, and so their story isn’t told here. Similarly, you get about five sentences from Robinhood CEO Vlad Tenev, who became the internet’s most hated figure when his app chose to restrict trading on the platform, potentially prematurely ending the GameStop squeeze. The inequitable screen time makes the documentary’s coverage of some of the major players fairly merciless. Given Robinhood’s launch coincided with SXSW in 2015, it’s interesting to watch nearly 90 minutes of people saying that the app screwed them over at the same festival seven years later. We also don’t get to speak to Keith Gill who, as Roaring Kitty, was at the heart of the effort to craft the initial short squeeze.

There is one annoyance that it’s worth being aware of is the film’s decision to create a visual style that apes the language of Reddit memes. Lots of gaudy iconography, remixes of old viral videos and the sort of amateur kitsch awfulness you see a lot online. It reminded me of an experiment Charlie Brooker did on the excesses of youth TV. He piled a bunch of teenagers into a screening room and told them to signal when they got bored while they watched a bunch of clips from screechy, in-your-face teen TV shows. What held them in rapt attention, however, was a sequence from an Adam Curtis documentary, with its slow narration and lack of any visual pizzazz. The point being that just because a subject deals with kitschy, out-there imagery from the internet, you don’t need to jazz up the visuals to make your story entertaining.

Diamond Hands: The Legend of WallStreetBets premieres on MSNBC on April 10th at 10pm ET.

Twitter ditches its tabbed timeline mere days after rolling it out

Just days after introducing a feature that made an algorithmically-generated feed the default for iOS users, Twitter is changing things back to the way they were before. “We heard you,” the company said. “Some of you always want to see latest tweets first. We’ve switched the timeline back and removed the tabbed experience for now while we explore other options.”

If didn’t follow the controversy Twitter created for itself, it all started last year when the company began testing a new tabbed interface for switching between its algorithmically-generated “Home” feed and reverse-chronolgical “Latest” feed. On March 10th, the company began rolling out the feature to iOS, promising it would come to its Android app and web client soon after. But what many people found, and ended up complaining about, was that the feature would default their feed to the algorithmic one every time they opened the app.

This isn’t the first time an internet company has rolled back a feature, but it shows that many people still want a chronological feed and dislike it when companies try to take that functionality away from them. When it comes to Twitter, there’s a case to be made that many people come to the platform to get first-hand accounts and information when there’s breaking news. So making that version of the website difficult to access isn’t doing anyone any favors.

‘Ted Lasso’ takes home best comedy series at the Critics Choice Awards

The fish-out-of-water sitcom Ted Lasso took home four major awards Sunday at the 27th annual Critics Choice Awards, a night that was dominated by the streaming platforms. The Apple TV+ original nabbed best comedy series, beating out other critically-ac…

This website allows Westerners to talk to Russians about the war in Ukraine

With the Kremlin restricting access to online platforms like Twitter and Instagram in recent days, people in Russia are quickly losing access to information about the war in Ukraine that doesn’t come from the government. Enter Squad303, a website creat…

CNN+ will start streaming on March 29th

CNN has revealed exactly when its dedicated streaming service will debut. CNN+, which costs $6 per month or $60 per year, will arrive on March 29th. Those who sign up in the first four weeks and maintain their subscription will get 50 percent off the monthly plan for life (that works out to $36 per year for the foreseeable future).

The service will deliver live, on-demand and interactive news-driven programming. Subscribers of CNN’s linear service can watch cable broadcasts and on-demand content through the app too.

CNN hired away Chris Wallace from Fox News to host a CNN+ show. Other daily launch programming includes shows anchored by Wolf Blitzer, Kate Bolduan, Sara Sidner and Bianca Nobilo, as well as a weekday edition of Reliable Sources. Viewers can also expect Anderson Cooper Full Circle to be available on CNN+, as well as a book-focused show with Jake Tapper, a show from Christiane Amanpour and much more.

Twitter is also labeling tweets from state media outlets in Belarus

Twitter is now also adding labels to accounts and tweets sharing links from Belarusian state-affiliated media outlets “after detailed reporting about their role in the war in Ukraine.” The website started labeling tweets from Russian state media outlets a few days in late February in an effort to significantly reduce the circulation of their content. Yoel Roth, the company’s head of site integrity, said on Twitter that the company made the decision to label tweets from Belarus, as well, after expert voices highlighted the country’s involvement in the invasion of Ukraine. 

Roth said Twitter saw a 30 percent drop in impressions on Tweets from Russian state media based on early data, suggesting that the company has been successful in its goal to limit those outlets’ reach. Similar to what it did to the Russian state outlets, Twitter will also reduce the visibility of labeled tweets with Belarusian state media content. In addition, users will see a prompt whenever they try to share labeled tweets. 

Twitter blocked ads from state media outlets years ago, but it completely paused ads and recommendations in Ukraine and Russia shortly after the war began to make sure critical public safety is elevated. While Russian authorities had blocked the website since then, Twitter launched a Tor onion service to give the country’s residents access to sources about the war other than state media. More recently, Twitter removed posts from Russia’s UK embassy over false claims that the bombing of a maternity hospital in the Ukraine city of Mariupol was staged. Twitter said the posts were removed for breaking its rules surrounding the “denial of violent events.”

‘Call of Duty: Warzone’ is coming to mobile

Call of Duty: Warzone, the free-to-play battle royale game, will soon have a mobile version. In a tweet, the game’s publisher Activision announced it was hiring for a slate of new mobile roles. The upcoming Warzone will be the second CoD title adapted …