Days after discontinuing the 27-inch iMac, Apple has also stopped selling one of LG’s UltraFine displays. As spotted by MacRumors, if you visit the company’s website, it no longer lists the 27-inch 5K model that retailed for $1,299 before its removal. …
Ubisoft says no user information was exposed in recent ‘cyber security incident’
South American hacking group Lapsus$ is claiming responsibility for another high-profile hack. On Thursday, Ubisoft said it underwent a “cyber security incident” last week that saw some of its games, systems and services temporarily disrupted. At the t…
Hitting the Books: How Ronald Reagan torpedoed sensible drug patenting
Americans pay two and a half times more for their prescription drugs than residents of any other nation on Earth. Though generic versions of popular compounds accounted for 84 percent of America’s annual sales volume in 2021, they only generated 12 percent of the actual dollars spent. The rest of the money pays for branded drugs — Lipitor, Zestril, Accuneb, Vicodin, Prozac — and we have the Reagan Administration in part to thank for that. In the excerpt below from Owning the Sun: A People’s History of Monopoly Medicine from Aspirin to COVID-19 Vaccines, a fascinating look at the long, infuriating history of public research being exploited for private profit, author Alexander Zaitchik recounts former President Reagan’s court-packing antics from the early 1980s that helped cement lucrative monopolies on name-brand drugs.
Copyright © 2022 by Alexander Zaitchik, from Owning the Sun: A People’s History of Monopoly Medicine from Aspirin to COVID-19 Vaccines. Reprinted by permission of Counterpoint Press.
When Estes Kefauver died in 1963, he was writing a book about monopoly power called In a Few Hands. Early into Reagan’s first term, the industry must have been tempted to publish a gloating retort titled In a Few Years. Between 1979 and 1981, the drug companies did more than break the stalemate of the 1960s and ’70s — they smashed it wide open. Stevenson-Wydler and Bayh-Dole replaced the Kennedy policy with a functioning framework for the high-speed transfer of public science into private hands. As the full machinery was built out, the industry-funded echo chamber piped a constant flow of memes into the culture: patents alone drive innovation… R&D requires monopoly pricing… progress and American competitiveness depend on it… there is no other way…
In December 1981, the drug companies celebrated another long-sought victory when Congress created a federal court devoted to settling patent disputes. Previously, patent disputes were heard in the districts where they originated. The problem, from industry’s perspective, was the presence of so many staunch New Deal judges in key regions like New York’s Second Circuit. These lifetime judges often understood patent challenges not as threats to property rights, but as opportunities to enforce antitrust law. Local circuit judges appointed by Republicans could also be dangerously old-fashioned in their interpretations of the “novelty” standard. By contrast, the judges on the new patent court, named the Court of Appeals for the Federal Circuit, were appointed by the president. Reagan stuffed its bench with corporate patent lawyers and conservative legal scholars influenced by the Johnny Appleseed of the Law and Economics movement, Robert Bork. Prior to 1982, federal district judges rejected around two-thirds of patent claims; the Court of Appeals has since decided two-thirds of all cases in favor of patent claims. Reagan’s first appointee, Pauline Newman, was the former lead patent counsel for the chemical firm FMC.
The Supreme Court also contributed to the industry’s 1979–1981 run of wins. When Reagan entered office, one of the great scientific-legal unknowns involved the patentability of modified genes. Similar to the uncertainty around the postwar antibiotics market—settled in the industry’s favor by the 1952 Patents Act — the uncertainty threatened the monopoly dreams of the emergent biotechnology sector. The U.S. Patent Office was against patenting modified genes. In 1979, its officers twice rejected an attempt by a General Electric microbiologist to patent a modified bacterium invented to assist in oil spill cleanups. The GE scientist, Ananda Chakrabarty, sued the Patent Office, and in the winter of 1980 Diamond v. Chakrabarty landed before the Supreme Court. In a 5–4 decision written by Warren Burger, the Court overruled the U.S. Patent Office and ruled that modified genes were patentable, as was “anything under the sun that is made by man.” The decision was greeted with audible exhales by the players in the Bayh-Dole alliance. “Chakrabarty was the game changer that provided academic entrepreneurs and venture capitalists the protection they were waiting for,” says economist Öner Tulum. “It paved the way for a more expansive commercialization of science.”
But the industry knew better than to relax. It understood that political victories could be impermanent and fragile, and it had the scar tissue to prove it. Uniquely profitable, uniquely hated, and thus uniquely vulnerable — the companies could not afford to forget that their fantastic postwar wealth and power depended on the maintenance of artificial monopolies resting on dubious if not indefensible ethical and economic arguments that were rejected by every other country on earth. In the United States, home to their biggest profit margins, danger lurked behind every corner in the form of the next crusading senator eager to train years of unwanted attention on these facts. Not even Bayh-Dole, that precious newborn legislation, could be taken for granted. This mode of permanent crisis was validated by the return of a familiar menace in the early 1980s. Of all things, it was the generics industry, an old but weak enemy of the patent-based drug companies, that reappeared and threatened to ruin their celebration of achieving dominance over every corner of medical research and the billions of public dollars flowing through it.
***
As late as the 1930s, there was no “generic” drug industry to speak of. There were only big drug companies and small ones, some with stature, others obscure. They both sold products that were, in the parlance of ethical medicine, “nonproprietary.” To be listed in the United States Pharmacopeia and National Formulary, the official bibles of prescribable medicines, drugs could only carry scientific names; the essential properties of a good scientific name, according to the first edition of the Pharmacopeia, were “expressiveness, brevity, and dissimilarity.” The naming of drugs and medicines formed the other half of the patent taboo: branding a drug evidenced the same knavishness and greed as monopolizing one. The rules of “ethical marketing” did permit products to include an institutional affiliation—Parke-Davis Cannabis Indica Extract, or Squibb Digitalis Tincture—but the names of the medicines themselves (cannabis, digitalis) did not vary. “The generic name emerged as a parallel form of social property belonging to all that resisted commodification and thereby came to occupy a central place in debates about monopoly rights,” writes Joseph Gabriel.
As with patents on scientific medicine, the Germans gave the U.S. drug industry early instruction in the use of trademarks to entrench market control. Hoechst and Bayer broke every rule of so-called ethical marketing, aggressively advertising their breakthrough drugs under trademarks like Aspirin, Heroin, and Novocain. The idea was to twine these names and the things they described in the public mind so tightly, the brand name would secure a de facto monopoly long after the patent expired.
The strategy worked, but the German firms did not reap the benefits. The wartime Office of Alien Property redistributed the German patents and trademarks among domestic firms who produced competing versions of aspirin, creating the first “branded generic.” During the patent taboo’s extended death rattle of the interwar years, more U.S. companies waded into the use of original trademarks to suppress competition. As they experimented with German tactics to avoid “genericide” — the loss of markets after patent expiration — they were enabled by court decisions that transformed trademarks into forms of hard property, similar to the way patents were reconceived in the 1830s.
After World War II, branding and monopoly formed the two-valve heart of a post-ethical growth strategy. The industry’s incredible postwar success — between 1939 and 1959, drug profits soared from $300 million to $2.3 billion — was fueled in large part by expanding the German playbook. While branding monopolies with trade names, the industry initiated campaigns to ruin the reputations of scientifically identical but competing products. The goal was the “scandalization” of generic drugs, writes historian Jeremy Greene. The drug companies “worked methodically to moralize and sensationalize generic dispensing as a dangerous and subversive practice. Dispensing a non-branded product in place of a brand-name product was cast as ‘counterfeiting’; the act of substituting a cheaper version of a drug at the pharmacy was described as ‘beguilement,’ ‘connivance,’ ‘misrepresentation,’ ‘fraudulent,’ ‘unethical’ and ‘immoral.’”
As with patenting, it was the drug companies that dragged organized medicine with them into the post-ethical future. As late as 1955, the AMA’s Council on Pharmacy and Chemistry maintained a ban on advertisements for branded products in its Journal. That changed the year Equanil hit the market, opening the age of branded prescription drugs as a leading source of income for medical journals and associations. “Clinical journals and newer ‘throwaway’ promotional media now teemed with advertisements for Terramycin, Premarin, and Diuril rather than oxytetracycline (Pfizer), conjugated equine estrogens (Wyeth) or chlorothiazide (Merck),” writes Greene. In 1909, only one in ten prescription drugs carried a brand name. By 1969, the ratio had flipped, with only one in ten marketed under its scientific name. In another echo of the patent controversy, the rise of marketing and branded drugs produced division and resistance. By the mid-1950s, an alliance of so-called nomenclature reformers arose to decry trademarks as unscientific handmaidens of monopoly and call for a return to the use of scientific names. These reformers — doctors, pharmacists, labor leaders — made regular appearances before the Kefauver committee beginning in 1959. Their testimony on how the industry used trademarks to suppress competition informed a section in Kefauver’s original bill requiring doctors to use scientific names in all prescriptions. The proposed law reflected the norms that reigned during ethical medicine’s heyday, and would have allowed doctors to recommend firms, but not their branded products. Like most of Kefauver’s core proposals, however, the generic clause was excised. The only trademark-related reform in the final Kefauver-Harris Amendments placed limits on companies’ ability to rebrand and market old medicines as new breakthroughs.
Recommended Reading: The first TikTok war
The myth of the ‘First TikTok War’
Kaitlyn Tiffany, The Atlantic
The Russian invasion of Ukraine is playing out over social media, with varying degrees of facts depending on who is delivering the information. Through the lens of previous conflicts, Tiffany examines if the label of “The First TikTok War” is accurate for current world events based on the platform’s design or if that moniker even matters. “If something is new, then maybe it can be different,” she writes. “But to look for that difference in the offerings of a technology company is obviously sad and misguided.”
Ten years ago, ‘Journey’ made a convincing case that video games could be art
Lewis Gordon, The Ringer
A game that was made in rebellion against commercial titles showed a more artistic side. Designed to “hit you right in the feels,” as Gordon writes, Journey kicked violence and point totals to the curb. These days a creative approach that can impact you like a good book is more commonplace, but video games with such an emotional effect didn’t really exist back then.
Dreaming of suitcases in space
Daisuke Wakabayashi, The New York Times
California-based startup Inversion thinks it can expedite deliveries of goods around the world by dropping them from space. The current plan is to develop a capsule by 2025 that’s not much larger than a few carry-on suitcases and capable of doing the job.
Apple reportedly isn’t planning to release a new 27-inch iMac
Apple discontinued the 27-inch iMac when it launched the Mac Studio and 5K Studio Display, but reports that came out earlier this year suggested that a replacement was in the works. According to 9to5Mac, though, Apple currently has no plans to release an all-in-one iMac bigger than 24 inches in the near future.
If true, that means we won’t be seeing a 27-inch model powered by an M1 processor — the recently discontinued iMac still uses Intel chips — anytime soon. Apple reportedly has no plans for a larger iMac equipped with an M1 Pro, Max or Ultra, as well. We also likely won’t be seeing one with the M2-powered MacBooks that Apple is expected to launch later this year. 9to5Mac says it got the information from the same source that told the publication about the pro-level Mac Studio and the Studio Display before they were unveiled.
At the moment, the only iMacs you can get straight from the Apple Store website is the 24-inch model with M1 processor released last year. The publication says the tech giant is developing a new 24-inch all-in-one computer slated to be introduced sometime in 2023. However, similar to the MacBook Air and the 13-inch MacBook Pro, it will likely remain one of the company’s (relatively) affordable options and won’t come with its high-end chips.
Prominent editor of Russian Wikipedia pages detained in Belarus
Authorities in Belarus have arrested and detained Mark Bernstein, one of the top editors of Russian Wikipedia, according to local publication Zerkalo. Bernstein was reportedly accused of violating the “fake news” law Russia passed in early March by editing the Wikipedia article about the invasion of Ukraine. Under the new law, anybody found guilty of what the country deems as false information about the Ukraine invasion — remember, the Kremlin calls it a “special military operation” — could be imprisoned for up to 15 years.
It was the Main Directorate for Combating Organized Crime and Corruption of Belarus (GUBOPiK) that had arrested Bernstein, The Verge reports. The publication says his social media accounts, Wikipedia handle and workplace were shared on GUBOPiK’s public Telegram channel before he was taken in. A video of his arrest was also posted on the channel, along with a photo that accuses him of “distributing fake anti-Russian information.” Belarus played a key role in the invasion of Ukraine by hosting Russian troops, which deployed from the country when the attacks began.
As The Verge notes, it’s unclear what exactly Bernstein is being charged with and which of his edits broke Russia’s fake news law. Bernstein has over 200,000 Wikipedia edits under what’s believed to be his account, which has now been blocked indefinitely.
Russia has been scrambling to suppress sources of information that goes against its official narrative regarding the war in Ukraine, and its new law had forced local independent media outlets to shut down. Dmitri A. Muratov, the editor-in-chief of Russian newspaper Novaya Gazeta, told The New York Times that “[e]verything that’s not propaganda is being eliminated.”
Uber adds fuel surcharge due to spike in gas prices
Unusually high gas prices throughout the US and Canada has led to Uber tacking on a fuel surcharge to rides and deliveries, according to a blog post on the company’s website. This likely won’t surprise anyone who’s gotten behind the wheel recently. A rapid spike in crude oil and gas prices due to Russia’s invasion of Ukraine has made paying anywhere from $50 to $80 to fill a tank the norm.
“We know that prices have been going up across the economy, so we’ve done our best to help drivers and couriers without placing too much additional burden on consumers. Over the coming weeks we plan to listen closely to feedback from consumers, couriers and drivers. We’ll also continue to track gas price movements to determine if we need to make additional changes,” wrote Uber spokesperson Liza Winship on the company’s website.
Uber’s fuel surcharge will vary by state and by the amount of miles driven. For Uber rides, the fuel surcharge will be anywhere between $0.45 to $0.55 per trip. For Uber Eats deliveries, the fee will be between $0.35 to $0.45 per trip. The company says the additional fee will go straight to Uber drivers, who pay for mileage out of their own pockets. The policy won’t apply at all in New York City, where drivers have a pay floor and the majority of delivery drivers are on bikes.
Interestingly enough, riders will have to pay the fuel surcharge even if they’re riding in an EV. According to The Verge, Uber hopes this will be an additional incentive for drivers to switch to electric vehicles. But given that Uber already charges passengers an additional $1 for its Uber Green option — which only deploys hybrid or electric vehicles— this could lead to some Uber Green customers opting for cheaper ride options.
High gas prices have led to some Uber drivers working for below minimum wage, especially in California, where the average price of a gallon of regular gas on Friday was $5.802, significantly higher than the national average. Some Uber drivers have opted to not work at all due to the price of gas.
Uber’s fuel surcharge will go into effect on March 16th, 2021, after which the company will re-evaluate the policy.
Meta employees say goodbye to perks like on-site laundry
Meta employees scheduled to return to the office on March 28th will have to find another place to take their dirty laundry. Facebook’s parent company is cutting its free laundry and dry-cleaning service and pushing back dinnertime to a later hour, repo…
Russian TikTok creators have reportedly been paid to share propaganda
The White House isn’t the only one trying to steer discussion of Ukraine on TikTok. Vice News has discovered that Russian TikTok influencers are reportedly being paid to share videos promoting the Putin government’s narrative surrounding the invasion. An anonymous operator in a Telegram channel has been telling creators what and when to post, what goals they must meet and otherwise dictating their content. At least some of the followers have over a million followers.
It’s unclear who is behind the campaign, but the operator claims to be a journalist and has looked for posters for additional pro-government content (such as supporting Russian athletes in the Olympics) and private companies. However, TikTok’s ban on new videos from Russia apparently isn’t an obstacle. The channel administrator tells influencers how to dodge the ban, and at least some producers have posted videos after the ban took effect.
The channel suddenly shut down on March 9th as Vice conducted its investigation. Most of the videos have since been removed, but the campaign team reportedly asked them to do this. Others remain, and it’s not certain how many similar initiatives might be underway. It’s also unclear if the propaganda was effective.
TikTok hasn’t commented on the pro-Kremlin campaign and told Vice about its general efforts to spot “emerging threats” and “harmful misinformation” surrounding Russia’s war against Ukraine.
Whether or not the Russian government was involved with this TikTok effort, there’s little doubt the country has tried to control the online narrative on Ukraine. It has blocked social networks like Instagram, posted misinformation through its embassies’ accounts, circumvented bans on its state news outlets and criminalized media reports that contradict the official stance on the war. TikTok’s large user base may be a tempting target if Russia hopes to sway more of the internet to its side.
Spotify subscriptions can now be bundled with Soundtrap’s audio creation tool
If you’re a podcaster or a musician, it’s likely you’ve heard of Soundtrap, an online tool that lets you record, edit and collaborate on the fly. Spotify—which acquired Soundtrap back in 2017— is now offering a bundle with Spotify Premium and Soundtrap for $16.99 a month. The bundle includes Soundtrap for Music Makers Supreme (the highest tier service for musicians) and Soundtrap for Storytellers, which is geared towards podcasters. Given that Spotify Premium is $9.99 a month and both Soundtrap plans cost $11.99 per month each, this is a solid deal for those who subscribe to both.
The bundle will give creators access to unlimited projects, more than 19,000 loops, sound effects, live transcripts and autotune. Podcasters also have the ability to publish their podcasts from Soundtrap directly to Spotify, instead of using a podcast hosting service like Buzzsprout or Podbean. The live transcript can serve as a guide for editing, which is likely to be a timesaver.
But there’s a big drawback to Soundtrap if you’re planning on also publishing on Apple Podcasts, Stitcher or another podcasting service. Soundtrap won’t generate an RSS feed for each episode, which you will need to publish your podcast outside of Spotify. If you want to do that, you’ll need to download each podcast episode as an audio file and then re-upload them onto a third-party podcast hosting service.
All told, Soundtrap’s suite of podcasting and music editing tools is ideal for creators who need an easy, simplified option for making music and podcasts. If you’re looking for more advanced editing options or the ability to distribute to multiple podcast services, you may find better options elsewhere. But if Spotify is your audio streaming service of choice (as well as your primary source of distribution), this bundle could be worth checking out.