Moto Edge+ review: Stuck between flagship and mid-range

In 2020, Motorola’s Edge+ marked a return to form for the company — a renewed focus on flagship phones after years of putting out more affordable devices. And despite skipping an update last year, now the 2022 Edge+ has arrived sporting a new chip and some inspiration Moto cribbed from Samsung’s playbook: built-in stylus support. Unfortunately, even with a slick 144Hz screen and a $1,000 list price that undercuts the Galaxy S22 Ultra, the Edge+ doesn’t live up to its premium ambitions. And at this point I’m wondering if Moto really has the chops to hang with other top-tier phone makers.

Design and display

Available in two colors (blue and white), the Edge+ doesn’t do much to stand out, but I wouldn’t call it ugly either. In some respects, it’s more confused than anything. Packing a 6.7-inch 2,400 x 1,080 OLED display, the Edge+ is a chunky device, and just barely smaller than Samsung’s 6.8-inch Galaxy S22 Ultra. Despite its premium price, the Edge+’s frame is made from plastic, and its lackluster IP52 dust and water resistance won’t repel much more than a splash. So you better keep this thing away from sinks and toilets.

The Edge+'s 6.7-inch also features a 144HZ refresh rate.
Sam Rutherford/Engadget

Around back, while I like the gradient effect you get from the phone’s Gorilla Glass 5 rear panel, the see-through housing around the Edge+’s triple camera module looks out of place. Actually, I’m not sure why that glass is there at all, aside from possibly making it look a bit more like an iPhone 13. And because the Edge’s cameras aren’t totally flush, you get more of a camera mound than a full camera bump, which seems like a compromise that won’t please anyone.

I’m also sad that Moto axed the previous Edge+’s headphone jack. With so many other Android phones having done the same in recent years, retaining support for 3.5mm audio could have been an easy way for the Edge+ to differentiate itself from the competition. Now it’s just a missed opportunity.

The 2022 Edge+'s fingerprint sensor is built into its lock button.
Sam Rutherford/Engadget

Thankfully, when it comes to the display itself, there’s not much to complain about. It’s big, it’s colorful and, although its peak brightness of around 600 nits isn’t nearly as high as what you’d get from a S22+ (1,750 nits), content looks good anywhere without direct sunlight. Moto also included support for a 144Hz refresh rate, which is slightly faster than the 120Hz screens you get from Apple, Samsung and others. But while the screen does make things look very smooth, it’s hard to discern a difference in side-by-side comparisons with an S22+.

Finally, the Edge+ has a side-mounted fingerprint sensor built into its lock button, which is totally serviceable. That said, the phone’s buttons are close to the top of the device so reaching them can be a stretch, particularly for people with smaller hands. I really wish Moto had opted for an in-screen fingerprint reader (which the 2020 Edge+ also had) or a rear-mounted option, both of which I find more accessible.

Cameras

The Moto Edge+ 2022 features a wide range of camera modes, though its Night Vision setting is rather disappointing.
Sam Rutherford/Engadget

While the Edge+’s rear cameras don’t look out of place, they might be the worst part of the phone’s entire kit. To start, one of the phone’s rear “cameras” is merely a 2-megapixel depth sensor, which leaves a 50MP main sensor along with a 50MP ultra-wide sensor that can also take macro shots. Right away, the lack of a dedicated telephoto cam is a serious demerit among premium phones. But it gets worse because the Edge+’s image quality can only be described as depressing.

In well-lit conditions, the phone does fine, taking bright pictures with punchy colors. However, I should mention that with default settings, photos tended to look one or two stops more exposed than I like. You also have to be careful about spotting when Moto’s scene optimizer automatically turns on, lest you risk some funky processing. For example, when I shot a very normal picture of some fruit, the Edge+ activated its food mode, which amped up colors to the point where the oranges looked neon.

But the biggest issue is the phone’s low-light photography. No matter what I did, unless there were multiple street lights right next to me, the Edge+ struggled to snap a sharp pic at night. Things like leaves and branches routinely came out blurry, with Moto’s Night Vision feature consistently capturing grainer photos when compared to the S22’s Night Mode. In even darker conditions, the Edge+ felt lost, producing an image of a stained glass window that looked more like an impressionist painting than an actual photo. And let’s not forget, I’m comparing Moto’s Night Vision setting to Samsung’s Night Mode, which isn’t even as good as Night Sight on the Pixel 6. On a mid-range phone, these results might be more forgivable. But for something listed at four figures, it’s just sad.

Performance and sound

While the Edge+’s cameras don’t impress, thankfully the phone’s performance and sound are strong. You get a Qualcomm Snapdragon Gen 1 chip, 8GB of RAM (or 12GB if you buy an upgraded model direct from Moto), and up to 512GB of storage. Overall, benchmarks were within five percent of what we’ve seen from Samsung’s Galaxy S22 line, and in the real world, I didn’t experience any hitches.

Unlike the previous model, the new Edge+ no longer features a headphone jack.
Sam Rutherford/Engadget

The Edge+ also features stereo speakers with Dolby Atmos that deliver relatively rich audio for a device this size. That said, I found that its speakers are better for watching movies than listening to music. For films that support surround sound, the Edge+ was slightly better at delivering layered, directional audio, especially for things like footsteps and explosions.

Accessories and 5G

One of the Edge+’s highlight features is active pen support and Motorola’s optional Smart Stylus. In theory, this should help transform the Edge+ into a slightly cheaper alternative to Samsung’s Galaxy S22 Ultra. Unfortunately, Motorola did not provide one for review alongside the phone, which doesn’t inspire a lot of confidence. On top of that, the phone doesn’t have built-in pen storage, so you’ll also need to use the folio cover that comes bundled with Moto’s stylus to create a more cohesive package that you might actually want to carry around.

As for 5G, support varies greatly depending on your carrier. On Verizon, you get both sub-6GHz and mmWave 5G. On T-Mobile/MetroPCS and unlocked models you only get sub-6GHz 5G, and on AT&T/Cricket, you’re stuck with 4G LTE. This discrepancy when it comes to 5G compatibility is borderline infuriating, and unless you’re on Verizon and have no intentions of switching, it almost makes the Edge+ a complete non-starter.

Software

Sadly, our Verizon-branded review unit came with both Facebook and Snapchat pre-installed.
Sam Rutherford/Engadget

The Edge+ comes pre-installed with a straightforward take on Android 12, though our Verizon-branded review unit was loaded with a fair amount of bloatware. All your beloved Moto gestures are still around, including my longtime favorite, the double-chop to activate the flashlight. And as a bonus for people new to the Moto ecosystem, there’s a handy floating button that guides you through the various gestures, navigation options and more. There’s also Moto’s Ready For mode, which allows the phone to function like a mini desktop when hooked up to an external monitor. And while it works, it’s not nearly as good as Samsung’s Dex mode.

What’s really annoying, though, is that for a premium handset, Motorola’s long-term support is weak. You only get two years of Android updates and three years of bi-monthly security patches. In comparison, Samsung offers four years of both for all of its Galaxy S phones and many of its mid-range devices, while the Pixel 6 gets a whopping five years of OS upgrades and security updates.

Charging and battery life

Thanks to its 4,800 mAh battery, even with a large display sucking up juice, the Edge+ lasted a respectable 15 hours and 24 minutes on our local video rundown test. That’s about half an hour longer than the standard S22, though still a bit short compared to the S22+ and S22 Ultra’s times of 17:33 and 17:16, respectively. And during normal use, the Edge+ fared even better, often finishing the day with more than 30 percent battery left in the tank, due in part to efficient standby power usage that only robbed one or two percent battery an hour while idle.

Unlike a lot of phones from Apple, Samsung and Google, the 2022 Moto Edge+ still features an included power adapter.
Sam Rutherford/Engadget

Recharging the Edge+ can be done in two ways: wired charging at up to 30 watts (and yes, a power adapter does come in the box) or Qi wireless charging at up to 15 watts. On top of that, the phone supports reverse wireless charging (aka Power Share) at up to five watts, so you can send excess juice to a friend with a device in need or recharge Moto’s Smart Stylus.

Wrap-up

Back in 2020, I was cautiously optimistic to see Motorola get back into the flagship phone game with the original Edge+, even if that phone ended up being merely fine. Motorola is the third biggest phone maker in the US, so you’d think it might have a decent shot at making a compelling alternative to Google, Apple and Samsung’s high-end devices. But now, having checked out its latest high-end phone, I feel like this whole endeavor might have been a mistake.

Aside from its screen and chipset, the 2022 Edge+ feels more like a mid-range handset than a truly premium phone. It’s lacking the telephoto cam that other flagships (and the previous model) have, and Moto’s low-light photo quality seems like it’s gotten worse, not better. Same goes for some of the Edge+’s other specs like its side-mounted fingerprint reader, which is a step back from the in-screen sensor on its predecessor. Moto even killed the headphone jack, which was one of the 2020 Edge’s defining features, and a real rarity among high-end phones.

Unfortunately, the Edge+'s cameras don't live up to the phone's price tag.
Sam Rutherford/Engadget

Sure, this year’s Edge+ got a small boost thanks to a third year of security patches. But when you look at competing Android devices, Motorola’s software support still falls woefully short of what you get from Samsung and Google. With limited or no 5G connectivity on two of the US’s three biggest carriers, the Edge+ is a hard phone to like, let alone recommend. And while you might be tempted by some of the phone’s promo pricing at launch that could lop $100 to $150 off its price tag, even with those discounts, the Edge+ still feels too expensive. At $700, the Pixel 6 is a better (and cheaper) phone, and if you don’t mind only having sub-6GHz 5G, you can get an unlocked model directly from Google for just $600.

Honestly, the Edge+ feels like a trap: It has the build and cameras of a mid-range phone with a couple high-end features to lure you in. But it’s missing a lot of the polish and sophistication you should be getting on a top-tier device. And while I can’t tell how much carrier partnerships or the ongoing chip crunch may have held this device back, regardless of how we got here, it really seems like Motorola is struggling to compete in the premium phone space.

‘Ghostbusters: Spirits Unleashed’ is a 4v1 co-op game that lets you play as a ghost

A new Ghostbusters game has been revealed and it’s set to land later this year. Ghostbusters: Spirits Unleashed is a four vs. one multiplayer title from IllFonic, the studio behind Friday the 13th: The Game and Predator: Hunting Grounds. If you’re familiar with those two games or Dead by Daylight, the basic premise of Ghostbusters: Spirits Unleashed will feel familiar.

Four players will team up as the Ghostbusters. You’ll use the PKE Meter to detect a ghost and take them on with the Proton Pack, Particle Thrower and Ghost Trap. You’ll need to subdue the ghost before they make a museum, prison, hotel or other public location too haunted.

On the flip side, as you may have surmised, the fifth player will control the ghost. You can fly and teleport between rifts. The ghost can possess objects and summon minions. They are also able to slime and stun the Ghostbusters so they can continue their haunting ways.

In the Ghostbusters’ firehouse, you’ll be able to customize your ghost or Ghostbuster, upgrade their abilities and equipment and practice firing the Particle Thrower. Two of the original Ghostbusters reprise their roles. You’ll get missions from Winston Zeddemore (Ernie Hudson) and receive wisdom from Ray Stantz (Dan Aykroyd) at his occult bookstore.

If you don’t feel like playing online (or don’t have a PlayStation Plus or Xbox Live Gold membership to do that), you can play as a solo ghost or Ghostbuster with AI taking on the other roles. For everyone else, there’s cross-platform multiplayer support across PC, PlayStation 4, PS5, Xbox One and Xbox Series X/S. Ghostbusters: Spirits Unleashed is scheduled to arrive toward the end of 2022.

‘SNL’ star Pete Davidson won’t be joining Blue Origin’s next spaceflight after all

Blue Origin’s three previous crewed flights had taken familiar faces and people known in their fields to space. Those include William Shatner, aviation pioneer Wally Funk, Good Morning America host Michael Strahan and even company founder Jeff Bezos For its fourth mission with humans on board — and its 20th overall — one of the passengers was supposed to be Pete Davidson, SNL star and, well, the person who’s recently been on the receiving end of Kanye West’s ire. Turns out that won’t be happening.

On Twitter, the aerospace company has announced that Davidson will no longer join the mission as a crew member. Blue Origin didn’t reveal the reason why he’s no longer flying with the rest of the crew to the edge of space and only said that the mission will launch on March 29th instead of on March 23rd as planned. Davidson was recently seen shooting scenes for horror movie The Home, but it’s unclear if conflict of schedule was the reason why Blue Origin changed its lineup. It’s also unknown at this point if Davidson will join another Blue Origin flight later on. 

The other passengers for the NS-20 mission are SpaceKids Global founder Sharon Hagle and husband Marc Hagle, University of North Carolina professor Jim Kitchen, President of Commercial Space Technologies Dr. George C. Nield and Marty Allen, a former CEO of Party America. Blue Origin said it will announce Davidson’s replacement in the coming days.

‘The Quarry’ is a teen horror game from the creators of ‘Until Dawn’

The producers of Until Dawn are returning to their roots after years of Dark Pictures Anthology games. Supermassive Games and 2K have unveiledThe Quarry, a teen horror title that has you once again deciding the fates of frightened youth. You control nine camp counselors as a night of celebrating the end of summer camp quickly goes sideways — the trailer below hints at a Most Dangerous Game tale where someone appears to be hunting the counselors for sport.

Supermassive is leaning on star power as much as it is familiar narrative-driven game mechanics. The Quarry stars David Arquette (appropriately from Scream), Ariel Winter (Modern Family) and Lance Henriksen (Aliens), not to mention actors from productions like A Nightmare on Elm Street, Dollface and Jurassic World. And yes, any character can die. As with Until Dawn and similar games, you’ll have to work hard if you want as many people as possible to survive.

Multiplayer is important, as well. You can have “couch co-op” where people control individual counselors, but you can also have as many as seven people voting on your decisions. While it won’t be quite as pressure-filled as having a Twitch audience decide, it will help you share the thrill ride with friends. And don’t worry if it’s too nerve-wracking. On top of adjustable difficulty levels, there’s a “Movie Mode” that removes the gameplay entirely and even lets you choose how the story plays out.

The Quarry arrives June 10th for PS5, PS4, Xbox Series X/S, Xbox One and Windows PCs. The gameplay and premise will be more than a little familiar (how many horror movies have summer camps?), but that may be part of the appeal. It’s giving you a chance to “fix” well-worn genre tropes, if just by keeping everyone alive.

Instagram suspended Kanye West for 24 hours

Instagram suspended Kanye West from the platform for 24 hours after the rapper and producer attacked Pete Davidson and others. The Saturday Night Live star and soon-to-be Blue Origin passenger has been dating West’s ex-wife Kim Kardashian for several months.

West (who legally changed his name to Ye) reportedly violated Instagram’s policies on hate speech, harassment and bullying. Some posts that broke the rules were removed from his account, according to HuffPost. Along with lashing out at Davidson, West is said to have posted a (now-deleted) racial slur aimed at Trevor Noah, who criticized him in a recent episode of The Daily Show.

The suspension temporarily prevented West from posting, commenting or sending direct messages on Instagram. A Meta spokesperson has said the company may take further action against West if he violates the rules again.

It remains to be seen whether West will show restraint when The Kardashians premieres on Hulu next month. Kardashian’s relationship with Davidson will be a focal point of the reality show.

‘Ted Lasso’ takes home best comedy series at the Critics Choice Awards

The fish-out-of-water sitcom Ted Lasso took home four major awards Sunday at the 27th annual Critics Choice Awards, a night that was dominated by the streaming platforms. The Apple TV+ original nabbed best comedy series, beating out other critically-ac…

CNN+ will start streaming on March 29th

CNN has revealed exactly when its dedicated streaming service will debut. CNN+, which costs $6 per month or $60 per year, will arrive on March 29th. Those who sign up in the first four weeks and maintain their subscription will get 50 percent off the monthly plan for life (that works out to $36 per year for the foreseeable future).

The service will deliver live, on-demand and interactive news-driven programming. Subscribers of CNN’s linear service can watch cable broadcasts and on-demand content through the app too.

CNN hired away Chris Wallace from Fox News to host a CNN+ show. Other daily launch programming includes shows anchored by Wolf Blitzer, Kate Bolduan, Sara Sidner and Bianca Nobilo, as well as a weekday edition of Reliable Sources. Viewers can also expect Anderson Cooper Full Circle to be available on CNN+, as well as a book-focused show with Jake Tapper, a show from Christiane Amanpour and much more.

Cameo CEO favorably compares Web3 boom to the colonization of the Americas

Last Thursday to celebrate the closing of a new $400 million round, the venture capital firm M13 held an invite-only schmoozing opportunity in the former offices of Musical.ly, opening with a introductory chat on “the future of crypto, the decentralized web, and creators.” Curiously, one of the guests was Cameo’s Steven Galanis who, according to audio provided to Engadget by an attendee, took the opportunity to share a metaphor he apparently has deployed before: that the rampant speculation around Web3 is akin to the colonization of the Americas by Europeans. To be clear, he seems to think of both as good things.

Cameo, the service that hit unicorn status last May and allows anyone to book a short, custom video message from celebrities and pseudo-celebrities like Fran Drescher, Gilbert Gottfried or the guy who played Hagrid, is not a Web3 business in any sense — not that “Web3” itself is a particularly meaningful or well-defined piece of terminology. 

But Galanis seems to have become something of a booster for these loosely conjoined elements of emergent tech. His Twitter profile picture is of toga- and 3D glasses-wearing Bored Ape NFT, for which he seems to have paid 100 ETH — the equivalent of around $300,000 at the time. He steered Cameo toward minting its own set of NFTs (called “Cameo Pass”) last month with the promise that proceeds would be reinvested into, among other things,”exploration of further Web3 projects focused on fan/talent interactions.” 

Presumably this enthusiasm — a contrast to the oftenchilly reception towards NFTs at other tech companies — helped land Galanis on stage for M13’s shindig, along with Lightning Labs’s Liz Stark. But in the course of his enthusiastic boosterism he shared “the analogy that I like to give people” about Web3, which we’ve edited for clarity (emphasis ours):

“I actually think right now it’s like 1493. Columbus has just gotten back from the New World. And he’s going to the King of Spain and the Queen of Spain, Ferdinand and Isabella, and he’s like ‘there’s a whole world over there that like, there’s literally just gold coming out of rivers.’ And then the King of France hears about it, the Kingdom of England hears about it. And what does everybody decide? We need to start building boats. So right now we’re in this age where everybody’s building boats. Everybody’s trying to go to this New World. […] So everybody’s going over, there’s gonna mutinies on some boats. Somebody’s gonna hit an iceberg. […] But somebody is gonna end up on Manhattan, like in the digital world, and they’re gonna pull a bunch of beads out of their pocket, and they’re going to make the best real estate transaction of all time.”

It boggles the mind that anyone could be aware of the colonization and systematic genocide of native peoples, and conclude that the moral is to not miss out on the opportunity to kill, steal and swindle again for personal gain. Or that if someone were to sincerely believe something quite so awful, they would at least have the good sense not to share that opinion, apparently, on multiple occasions.

Beyond the blunt insensitivity of the remarks, Galanis seems to have little to no grasp of the events he references. “Everybody is building boats!!!? This is a sort of 20th [century] arms race point of view,” William Fowler, a professor emeritus of history at Northeastern, told Engadget via email. “England sent Cabot (1497) West, but that did not result in much. Not until Jamestown, 1607, did England, through a private company, establish a permanent colony in America. 

As for their naval power, England barely made it through the Armada, 1588, and did not have a first class navy until [the] mid 17th [century] … France sent Cartier (1534), but it would be almost one hundred years before they got serious in Canada.” All of this is to say nothing of the fact that Columbus was far from the first European to stumble onto the Americas (that distinction likely goes to the Vikings) or that he “went to his grave (1506) believing he had found a route to the Indies,” according to Fowler.

The tale of Manhattan’s land rights being bought out from under native people by the Dutch for baubles is, at best, highly exaggerated. Unlike Staten Island or other areas of land, the contract between the Dutch and native peoples for Manhattan is either lost or never existed, and according to the Gotham Center’s Richard Howe “the extant evidence for the Dutch purchase of Manhattan is scant, indirect and circumstantial.” 

While a letter claiming a transfer occurred, dated November 7 1626, does survive, it’s both inconclusive and in no way mentions “beads” — rather that the land had been purchased “for the value of 60 guilders” (which is something like $1,000 in today’s dollars.) Whether native tribes shared the same understanding of property, or could be said to have freely entered into these types of contracts is unresolved. Nor is it known if the people who allegedly signed over the deed were even the tribe primarily occupying Manhattan at the time.

Whatever the case, this “investment” was short-lived, and New Amsterdam was “taken easily by the British,” according to Fowler, in 1664, less than 20 years after the rights were supposedly sold for a song. Let’s not even get into how the metaphor fails on a structural level in that Web3 isn’t a valuable resource simply awaiting discovery and exploitation. Its illusion of riches shares more in common with El Dorado than the “New World.”

It might appear unfair to expect Galanis to have studied history, rather than basing offensive flights of fancy on colonialist myths. Then again, history was the man’s area of study at Duke. Engadget made several attempts to contact Cameo to allow Galanis to explain precisely what he might have meant by this analogy, and have yet to hear back. “Trying to apply 21st [century] criteria to ages past should be done with great care,” professor Fowler wrote, “[Galanis] may have something to say, but it is hard to dig through the rhetoric to get to his point, if he has any.”

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‘Star Trek: Strange New Worlds’ trailer teases Pike’s stint on the Enterprise

Today is a good day for sci-fi and space fantasy lovers. Paramount+ has shared a teaser trailer for Star Trek: Strange New Worlds, its offshoot of Discovery. The video provides a brief but telling glimpse of Captain Christopher Pike’s tenure aboard the USS Enterprise, including his return to service and (what else?) the worlds his crew will see. There’s a clear attempt to recreate the wonder you might have felt watching early Star Trek as you encountered new aliens and planets for the first time.

There isn’t much to see of the cast beyond Pike (Anson Mount), but you’ll see Ethan Peck return as Spock while Rebecca Romijn once again serves as Number One. Celia Rose Gooding plays Uhura, Jess Bush will assume the role of Nurse Chapel and Babs Olusanmokun is Doctor M’Benga.

Strange New Worlds premieres in May. As indicated, the show’s appeal may come as much from its format as its focus on the Enterprise. Unlike Discovery and Picard, SNW is expected to rely more on the single-episode storylines that defined the original series and much of the pre-streaming Star Trek franchise. Whether or not it reproduces those glory days is another matter, but Paramount+ at least appears to know its target audience.

‘Obi-Wan Kenobi’ teaser trailer reveals a Jedi on the run

Disney+ has finally offered a good peek at its Obi-Wan Kenobi series. The streaming service has released a teaser trailer for Obi-Wan Kenobi that documents the Jedi’s life on Tatooine as he avoids the Empire and protects a young Luke Skywalker. As the clip makes clear, it won’t be easy — Imperial forces are turning to Sith who’ll look for “weaknesses” like compassion to track down the remnants of the Jedi order.

The limited-run series debuts May 25th, or 45 years to the day after the premiere of the original Star Wars movie. Ewan McGregor reprises his role as the titular Obi-Wan Kenobi, while Hayden Christensen returns as a younger Darth Vader. The Mandalorian alumnus Deborah Chow is directing the show.

Obi-Wan will arrive several months after The Book of Boba Fett, and represents a growing wave of Star Wars originals for Disney+ that will include Ahsoka, Andor and The Acolyte. Shows like this aren’t rare, one-off projects — they represent a cornerstone of the Disney+ strategy.