Square Enix’s PS5 exclusive ‘Forspoken’ is delayed to October 11th

Square Enix has delayed Forspoken. The upcoming action role-playing game from Final Fantasy XV studio Luminous Productions was previously scheduled to release on May 24th. It will instead come out on October 11th, the studio announced on Monday

“Our vision for this exciting new IP is to deliver a game world and hero that gamers across the globe will want to experience for years to come, so getting it right is extremely important to us,” Luminous Productions said. “To that end, during the next few months we will focus all of our efforts on polishing the game and can’t wait for you to experience Frey’s journey this fall.”

We last saw Forspoken at a hands-off briefing Square Enix held at the end of last year. Forspoken stars Frey, a New York City native who’s transported to the fantastical land of Athia. Voiced by actor Ella Balinsk, Frey must save the world from corruption while trying to find a way home. Square will release Forspoken on PlayStation 5 and PC.

Halo Infinite’s campaign co-op won’t be available when season two kicks off in May

The last we heard, Halo Infinite‘s campaign co-op was supposed to arrive with season two when it launched in May this year. Now, developer 343 Industries has announced that it won’t be available when season 2 debuts but will instead come “later” at an unspecified date in the second season. 

“We are still aiming to deliver campaign network co-op later in season two, and we will share a release date for that and for split-screen co-op as soon as we can,” said the game’s head of creative, Joseph Staten. “It’s going to take more time to land a high-quality, full-featured 4-player network co-op experience in the massive, wide-open world of Halo Infinite.”

It seems likely that split-screen for co-op will arrive at the same time, though the company didn’t confirm that. “We’re also committed to a great two-player split-screen co-op experience on all Xbox consoles, from the original Xbox One through Xbox Series X — the non-linear, wide-open sections of the Campaign present some big challenges for split-screen that have taken us more time to solve,” Staten wrote. 

Forge, meanwhile, is still slated to arrive with season three. It’s currently in level editor testing with a small group of players and public flights are set for “later this year,” the company said. 

Season two was supposed to come three months after Halo Infinite‘s launch on December 8th, but it was pushed back by a couple of months as 343 decided to extend season one. What you will see when it launches on May 3rd are new arena (“Catalyst”) and Big Team Battle (“Breaker”) maps. It’ll also feature new game modes known as Land Grab and Last Spartan Standing, which the company calls “a free-for-all elimination mode.”  

Facebook blocks Russian advertisers from running ads globally

Advertisers within Russia can no longer create or run ads on Facebook “anywhere in the world,” including their home country, the social network told Business Insider. The website has also suspended all ads targeting people in Russia, “due to the difficulties of operating in [the country] at this time.” 

This is just the latest step Facebook has taken following Russia’s invasion of Ukraine. Shortly after the attacks started, it blocked Russian state media from running ads on its platform before restricting access to RT and Sputnik in Ukraine and across the European Union. A few days after that, Facebook started demoting the outlets’ pages and any post linking to them on its main website and on Instagram. 

As a response to the social network restricting access to state-run media, Russian telecom regulator Roskomnadzor blocked Facebook in the country, though Instagram and WhatsApp remain available. The agency throttled access to the website before that when Facebook officials refused to stop fact-checking state media outlets upon its request. In a statement issued after Roskomnadzor blocked Facebook completely, Meta’s president of global affairs Nick Clegg said the company “will continue to do everything [it] can to restore [its] services so they remain available to people to safely and securely express themselves and organize for action.”

According to a report by independent Russian news agency Interfax, Russia also recently blocked Twitter in the country. Roskomnadzor previously limited the country’s access to Twitter, as well, after the social network paused ads and recommendations and started labeling tweets from Russian state media outlets. The social network said, however, that it’s only seeing the effects of throttling within the region and not of an outright ban. 

Russia cuts off access to Twitter

Russia has moved to block access to Twitter just after a similar crackdown on Facebook, Interfax reported. Russian regulator Roskomnadzor reportedly said it was complying with a February 24 request from Russia’s Prosecutor General.

Twitter didn’t immediately respond to a request for comment. The company had previously confirmed its service was being “restricted for some people in Russia,” and there were widespread reports of throttling. Now, it seems Russia is looking to make Twitter completely inaccessible, just as it has with Facebook. Twitter said earlier this week it would label all tweets with links to Russian state media outlets, as social media companies have rushed to limit the influence of RT and Sputnik.  

Update 3/1 5:23pm ET: A Twitter spokesperson said they haven’t seen “anything significantly different” compared with the earlier limitations on the service in Russia. “We’re aware of reports, but we don’t currently see anything significantly different from what we previously shared that would point to a block,” the company said in a statement.

Hulu users will lose next-day access to ‘SNL,’ ‘The Voice’ and other NBCU shows this fall

As of September, new episodes of some NBCUniversal shows such as Saturday Night Live, The Voice and American Auto will no longer hit Hulu the day after they air. NBCUniversal has ended a content deal between the two sides, meaning those series will stream exclusively on Peacock. It’s not clear which other shows will be affected by the move, according to The Hollywood Reporter and Deadline.

The decision to sever ties with Hulu comes as NBCU tries to drive more subscribers to Peacock. At the end of last year, it had 9 million paying subscribers (most of whom opt for the $5 ad-supported tier) and 24.5 million monthly active accounts. It’s unclear how many of those are using the free tier. Comcast subscribers can access an ad-supported version of Peacock Premium at no extra cost.

“Much of our strong NBC content premieres on Hulu. Over time we’d like to bring that back to Peacock,” NBCUniversal CEO Jeff Shell said during Comcast’s January earnings call. Comcast CFO Mike Cavanagh said the company planned to spend $3 billion on Peacock content this year.

Keeping popular shows like SNL and The Voice as streaming exclusives could help NBCU boost Peacock user numbers. NBCU has invested in other types of content to bring in subscribers, including live sports rights, local news channels and making WWE Network exclusive to the platform. Peacock also has a slate of originals, including Bel-Air and an upcoming Twisted Metal series.

Having many broadcast and cable shows available to stream the day after they air has long been a selling point for Hulu. It’ll be a blow for the service to lose some notable NBC series.

Although Disney has been fully in charge of Hulu since 2019, Comcast still owns 33 percent of the service. Comcast can require Disney to buy out its stake, but not until 2024. At the end of 2021, Hulu had 45.3 million subscribers.

Update 3/4/22 8:30pm ET: “With the proliferation of streaming services entering the marketplace, we have long anticipated changes to our third-party content offering and over the past few years have increased our investment in original content, including popular and award-nominated titles,” a Hulu spokesperson told Engadget via email. “As a leading destination for breakthrough storytelling, we continue to transform Hulu into an exclusive home for stories from across The Walt Disney Company and beyond to bring our viewers even more premium content led by Hulu Originals and next-day television programming.”

Russia blocks access to Facebook

Russian officials have blocked Facebook in the country, though Instagram and WhatsApp are still available. Telecom regulator Roskomnadzor says the move is in response to the social network preventing access to state-run media outlets RT and Sputnik in the European Union, Ukraine and the UK. Meta has demoted content from Russian state-owned media organizations on Facebook and Instagram on a global basis too.

The regulator says Facebook also limited access to accounts from other media organizations, which it claims violates Russian laws. 

“Soon, millions of ordinary Russians will find themselves cut off from reliable information, deprived of their everyday ways of connecting with family and silenced from speaking out,” Nick Clegg, Meta’s president of global affairs, said in a statement. “We will continue to do everything we can to restore our services so they remain available to people to safely and securely express themselves and organize for action.”

Roskomnadzor previously restricted access to Facebook. After Russia invaded Ukraine, the regulator asked Meta to stop fact-checking content posted by four state-owned media outlets and remove the labels it applied to their Facebook posts, but the company refused.

Other tech platforms have blocked Russian state-run outlets or made it harder to see their content over the past week. Those include YouTube, Reddit, Spotify and Roku. Meanwhile, the EU bannedRT and Sputnik from being broadcast in the bloc.

Update 3/4 1:55PM ET: Added Clegg’s statement.

Update 3/4 2:33PM ET: Noted that the ban doesn’t cover Instagram or WhatsApp.

Facebook Gaming appears to be overrun by spam and pirated content

Last fall, Streamlabs published a report indicating that Facebook Gaming had overtaken YouTube Gaming to become the second-most popular platform by hours watched, just behind Twitch. In January, StreamElements reported the platform had its best month ever, hitting a new peak of 617 million hours of monthly watch time. Reports like these have raised eyebrows for some, as Facebook has struggled to attract high-profile streamers, despite its significant investments in live gaming.

But data from CrowdTangle, the company’s analytics service, raises serious questions about the state of Facebook Gaming. Though the platform has snagged some notable names like Neymar Jr. and StoneMountain64, their streams didn’t appear at the top of rankings. Nor do any of the streamers identified by Streamlabs as the most-watched creators on the platform. Instead it’s a jumble of generically named pages that call themselves gaming creators, but behave more like spammers, often posting pirated movie clips or nonsensical videos disguised as live gaming streams.

These pages inexplicably rack up millions of views and hundreds of thousands of interactions on streams with ridiculous-sounding titles like “car vs. giant bulge” or “this ship is full of passengers.” And while most streams contained some actual gaming footage, they often began with pirated clips from popular movies or other completely unrelated content. Despite Facebook’s clear policies on spam and non-gaming content, some of these accounts are still in Facebook’s Level Up or Partner programs, which allows them to sell fan subscriptions and access other monetization features.

The CrowdTangle data

To try to assess the biggest streamers on Facebook Gaming, we used Facebook’s CrowdTangle analytics tool to search for the live videos with the most interactions from Facebook Gaming creator pages over a 30-day period from January 16 to February 15. Though Facebook has in the past taken issue with “interactions” as a reflection of what’s popular on its platform, interactions are vitally important to streamers as they are a strong indicator of engagement with their content.

Of the top 10 streams, nine of the videos used bizarre tactics, such as intercutting gaming footage with movie clips, more indicative of spammers than gamers. And while not all of the pages were in Facebook’s monetization programs, several that were regularly posted content that appeared to be in violation of the company’s monetization policies. More than half featured pirated movie clips or unoriginal non-gaming content.

What follows is a closer look at those top ten creators whose streams dominated Facebook Gaming during the one-month period we looked at. Though this is only a small window into the platform, searches during other periods have surfaced similar results. Rather than outliers, these videos are reflective of a pattern in which spammers appear to be exploiting the service.

How does ‘Cars vs Giant Crater’ get 112 million views?

The top video was from a gaming creator page called “AU.” The February 2 video titled “Cars vs Giant Crater – Giant Pit”, which has since been removed, ran for 22 minutes and had a staggering 112 million views. It claimed to be a livestream of a car simulator game called BeamNG.drive, but the first 11 minutes was actually a clip from a Hong Kong film called Cook Up a Storm. At about the 11-minute mark, the clip abruptly switched to footage from the vehicle simulator game.

This type of video was not an outlier for AU, which appears to frequently post movie clips disguised as the vehicle simulator game. However, most are not nearly as successful as “Cars vs Giant Crater – Giant Pit.” A 12-hour clip, also posted February 2, and with the exact same title received 66,000 views and only 13 comments, perhaps because it was a 12-hour video of a car simulator game with no voiceover or evidence that anyone was actually playing. However, yet another video, also with the same title and posted February 2, was able to rack up more than 13 million views before it was eventually removed. That 22-minute clip opened with a roughly 11-minute long excerpt from a Bengali film called Amazon Obhijaan.

The first 11 minutes were not a game stream, but a Hong Kong film called 'Cook Up a Storm.'
Screenshot/Facebook

Tagging non-gaming content as gaming is against Facebook’s policy, and the company says it’s developed technology to “identify and demote videos that are tagged as a game but are displaying non-gameplay content to artificially gain reach” on the platform. Streamers who do so may lose their Partner or Level Up status, but the company doesn’t remove these videos.

AU is not the only “gaming creator” using questionable tactics involving pirated movie footage. In fact, AU appeared to be connected to another page that also had a top 10 video during the same time period. This supposed streamer — the page is called “Farhad” — had the No. 3 gaming video by interactions. This video, which has also been removed, bizarrely titled “Alien – Baby crying on track – monkey stops the train and save the baby,” was posted on February 1 and got more than 91 million views. It was also tagged as BeamNG.drive, but instead of the car sim game, it opened with the very same 11-minute clip from Cook Up a Storm. The only difference was that Farhad’s version had a watermark with the word “Farhad” overlaid onto the clip. That same watermark appeared on at least one other video from AU. However, unlike AU, “Farhad” is a member of Facebook’s “Level Up” program which allows streamers to earn money from their content.

Screenshot / Facebook

The page with the fourth most interacted-with video also appeared to be using bizarre tactics. The streamer, going by “GGWP BROO,” posted a two-hour clip tagged as Euro Truck Simulator 2 but titled “This ship is full of passengers.” The “live stream” opened with a two-minute and forty second clip of a ferry boat in Bangladesh before abruptly switching to gameplay from Euro Truck Simulator. It had 91 million views, despite the fact that the footage appeared to be pre-recorded. The person pictured in the video using a wheel-style controller throughout the two-hour clip doesn’t speak at any time. A close viewing reveals that his movements don’t correspond to the game being played, and closer inspection indicates the footage is looped.

Nearly all of GGWP BROO’s streams follow the same pattern: a few minutes of something completely unrelated, like a bear in a trap or an octopus with a scuba diver, followed by Euro Truck Simulator. The man pictured with the wheel controller never speaks in any of the videos.

Despite all this, the streamer was a member of Facebook’s Partner program, a step up above “Level Up” as it allows streamers to potentially monetize with in-stream ads, along with other perks. Later, the page was downgraded to “Level Up,” but was still selling subscriptions. A page promoting its creator hub, where followers can purchase $1.99-per-month subscriptions, advertised “Adult Games 18+.”

Subscribing to GGWP BROO didn’t bring any of the promised exclusive content, though. It unlocked a 10-minute video that appeared to be a low-res compilation of TikTok-style videos of girls dancing, and a private Facebook Group that simply reshared links of GGWP BROO’s public streams. After this reporter joined, it had nine members, including GGWP BROO.

GGWP BROOO is advertising
Screenshot / Facebook

Yet GGWP BROO’s has several streams with millions of views despite the obviously spammy nature of the content. Moreover, the streamer, who is based in Indonesia according to the page transparency information provided by Facebook, doesn’t seem to exist outside of Facebook Gaming. There are no other social media accounts linked, and a search for the handle on other platforms turns up nothing.

Rod Breslau, an esports analyst, says this is another red flag that signals the accounts in question are likely illegitimate. “It doesn’t make any sense at all,” he said. “Usually, if you’re really popular on one platform, you’ll be really popular on multiple platforms.” Yet many of the streamers that appeared at the top of CrowdTangle don’t appear to have any kind of identity outside of their generically-named Facebook Gaming creator pages.

The was true for the similarly anonymous streamer going by “Piu Roy,” whose January 17 video “Cars vs Giant Bulge #4” racked up more than 71 million views and 670,000 interactions. The two-minute clip, tagged as American Truck Simulator, featured several cars driving over a comically-high bump in the road. Roy has no contact info or any other information on their page, and none of their streams show a human face or feature any kind of narration. Yet despite their extremely underwhelming content, “Piu Roy” has several videos with more than a million views — something that even Facebook Gaming’s most recognizable names seem to rarely achieve — and is selling $1.99-per-month fan subscriptions from their page.

Some “streamers” made even less of an attempt to hide their intentions. A page called “Viral VI” that appears to almost exclusively post movie clips thinly disguised as game streams. Their top video, titled “New Best Action Movie 2022,” was tagged as Red Dead Redemption 2, though that game appeared nowhere in the stream. Instead, the 20-minute video opens with a six-minute clip from the 2020 movie Call of the Wild before abruptly switching to a car simulator game. It racked up more than 53 million views and 613,000 interactions.

Similarly, “The Flash,” whose January 29th stream was the ninth most-interacted with on Facebook, has repeatedly used the exact same phrase. Their 17-minute video claiming to be WWE2020 was also titled “New Best Action Movies 2022.” In fact, the first 11 minutes of the clip was lifted from a Spanish dub of 2019’s Terminator Dark Fate.

Naruto's stream featured an ad that appeared similar to those on YouTube,
Screenshot / Facebook

Pirated movie clips wasn’t the only repurposed broadcast racking up views. A streamer going by “Naruto,” shared a 12-hour video of an elaborate rescue operation of a Moroccan boy trapped in a well in a rural village. The accident, and subsequent days-long rescue attempt, had sparked international attention. Though Naruto did not pretend the video was a game — the clip was tagged as “Hanging Out” — the video was almost certainly not Naruto’s own live stream. Live video of the rescue attempt was broadcast widely, and Naruto’s stream is at one point interrupted by a pop-under ad for a restaurant in Australia that graphically matched those that appear on YouTube videos.

Even so, the streamer used the content to encourage viewers to buy stars, referring to the virtual gifts as “donations.” The video got more than 10 million views and nearly half a million interactions (it’s not clear how many stars they earned from the broadcast). Naruto, whose page manager location is listed as Australia, posted several other videos depicting the rescue around the same time.

While it’s not uncommon for streamers to use the “Hanging Out” tag — it’s the equivalent of “Just Chatting” on Twitch — to stream non-game content, Facebook’s monetization policies stipulate that monetized content must be authentic and original. Yet Naruto is currently in Level Up, recently had Partner status, and is still selling monthly subscriptions for $4.99.

Even Pages that at first seemed legitimate were using bizarre content in their streams, At number eight was a three-minute and 40 second video from a streamer called Edge of Portal. The game was tagged as Arma 3, a tactical military simulation game, and the clip was described as “ARMA3 Saudi Arabia is developing the missile in cooperation with China.” The views were oddly high, at 58 million, but it appeared to be actual game footage. Edge of Portal also had a much more polished page than some of the more obvious spammers, and many clips had a visible player or some kind of narration.

Edge of Portal uses images of crashed planes, and other apparent visual clickbait, to start his streams.
Screenshot / Facebook

But it turns out Edge of Portal employs the same tricks as other top-viewed game creators. Several streams open with a few seconds of a static image of a crashed Air Niugini plane from 2018. At least one opened with an extremely low-res video of cars falling into a river before switching to gaming footage. Others begin with a clip of a man operating what appears to be an excavator.

What’s not clear is exactly why Edge of Portal and so many other streamers front-load their clips with something totally unrelated, and often mundane. It seems as if it’s designed to exploit Facebook’s recommendation algorithm in some way, but it could also be a kind of visual clickbait, with strange video thumbnails meant to draw more potential viewers in.

That seems to be the point of a 10-minute video from a page called Bomber Gaming, which had the tenth most-interacted with live video. The clip, tagged as “eFootball PES 2021 in Ho Chi Minh City, Vietnam,” opens not with a soccer game but several minutes of blooper-style videos of people falling over. Bomber Gaming is in Facebook’s Partner Program, and advertises “exclusive broadcasts” for $1.99/month subscriptions.

Of the ten videos we looked at, the only one that seemed as if it could have come from a legitimate streamer was the second-most interacted with video from a page named Abo ATA Gaming. The PUBG stream had 41 million views, and close to a million interactions, though it was later removed from Facebook. Abo ATA Gaming didn’t immediately respond to messages. We attempted to reach the people running all of the pages described above, but they either couldn’t be reached, or didn’t respond to questions.

Is anyone at Facebook paying attention?

Engadget’s findings raise questions about how much, if any, scrutiny Facebook Gaming creators are subjected to. Not only were the streams detailed above easy to find, the social network’s own accounting of its most popular content would suggest that these videos are among the most-viewed on the entire platform.

Take the top video, the one from “AU” that opened with the clip from Cook Up a Storm. According to CrowdTangle, it had more than 112 million views during the 30-day period we looked at. That’s an incredibly high view count, even by Facebook’s somewhat generous standards in which three seconds counts as a “view.”

The biggest names on Facebook Gaming rarely, if ever, generate those kinds of view counts. Disguised Toast, whose move to Facebook Gaming made headlines in 2019, has rarely achieved one million views, much less 100 million. (He has since left Facebook Gaming and moved back to Twitch.) And while it’s true that much of Facebook Gaming’s viewership comes from international audiences, even pages with large international followings aren’t getting anything close to 100 million views on a single stream.

According to a recent report from Streamlabs, the top gaming creator on Facebook by watch hours is Egyptian streamer Tarboun. Tarboun, whose Twitter bio boasts that he has the record for the highest views on Facebook Gaming, has many streams with a million or more views, but nothing remotely approaching 100 million (the highest I could find was a video from a year ago with 8.3 million views).

When Facebook first launched its “Level Up” program, streamers wishing to join had to apply to get in and access monetization features. And even streamers who met the minimum requirements sometimes had lengthy waits before they were accepted. “We select people after watching them stream a little bit. We put our stamp on creators who fit our community,” Facebook’s head of gaming product Vivek Sharma told Business Insiderin 2019. Sharma, who now works on the company’s Metaverse platform Horizon, said at the time there was a “long queue” of gamers hoping to join.

But that process seems to have now evaporated. A streamer who spoke with Engadget said that “it doesn’t take much to get into Level Up … as long as you follow the guidelines, you just get it.” Right now, Level Up requires Pages to have at least 100 followers, and that they stream at least four hours of game content over at least two days in a 14-day period.

Once Level Up is unlocked, streamers can then earn stars, the on-platform currency similar to bits on Twitch. But for many of the streams detailed above, it’s not clear how many if any are earning Stars on this content. Partnered streamers can earn revenue through in-stream ads, but not all are given access to the feature. (In-stream ads never appeared on the videos described above.) And even those selling subscriptions don’t seem to be generating significant revenue from their content, as evidenced by GGWP BROO’s nine-member exclusive subscriber group.

While it wasn’t always clear what these pages were trying to gain by exploiting Facebook Gaming, the social network has made huge investments to lure creators to its platform. The social network has said it plans to invest more than $1 billion in creators across its apps over the next year. And the company has pledged not to take a cut of revenue earned from stars, subscriptions and other monetization features until at least 2023.

That Facebook’s gaming platform, one of its longest-running creator-centric initiatives, is being exploited to this extent doesn’t bode well for the company’s lofty ambitions in the space. If the company can’t (or won’t) reliably catch game streamers blatantly breaking its rules, there’s little reason to believe the company will catch creators exploiting other parts of its platform.

Moreover, it raises serious questions about whether content from the likes of AU and GGWP BROO is distorting the perception of Facebook Gaming’s popularity. (Notably, it wouldn’t be the first time a Facebook-run video initiative resulted with allegations of pumped up video views.)

The platform is now regularly cited as the second-largest streaming platform behind Twitch, largely due to its growth internationally. But the most-watched content on the platform seems to be from spammers sharing low-quality video lifted from other sources. And with views in the tens of millions — far more than any legitimate streamer we’ve observed — these streams could be inflating Facebook Gaming’s metrics.

In a statement, a spokesperson for Meta said the company was “working to improve our tools to identify violating content” on Facebook Gaming. “We use a mix of automated and human review to ensure creators are following the rules for what’s allowed on Facebook Gaming. We’re working to improve our tools to identify violating content, and to make sure people using Facebook Gaming have the best experience.”

Have a tip about Facebook Gaming? Contact the author at karissa.bell@engadget.com or message securely on Signal at +1 628.231.0063

Brandon Sanderson’s secret novels break Pebble’s Kickstarter crowdfunding record

Over half a decade later, a new Kickstarter campaign has finally eclipsed Pebble’s crowdfunding record on the website. Fantasy and sci-fi author Brandon Sanderson set up a campaign to raise $1 million within 30 days to fund four secret books he intends to release every quarter next year. It didn’t take 30 days to blow past that goal, though — it took only 35 minutes. And three days on, as of this writing, the campaign has already made $20.4 million, almost $100,000 more than what the Pebble Time e-paper smartwatch raised when it was up for funding.

While Sanderson is self publishing the four books included in the project, he’s not a little-known indie author. Raising over $20 million in just three days was possible because he already had a solid fanbase who knows he can deliver, seeing as he’s famous for being a fast writer who can quickly churn out new books. He’s known for his novels set in the Cosmere universe, which he likens to the Marvel Cinematic Universe, including the Mistborn series and The Stormlight Archive series. Three of the secret books in the campaign are also set in the Cosmere universe, with each story taking place on a different fantasy planet. Sanderson is known for finishing Robert Jordan’s The Wheel of Time, as well.

The author told The New York Times that one of his objectives for launching this project is to see what it would be like to challenge Amazon. The e-commerce and cloud giant dominates the printed book and ebook market, and it accounts for 80 percent of Sanderson’s sales. “If Amazon’s grip on the industry is weakened, that’s good for the publishers — they are very much under Amazon’s thumb right now. I don’t want to present this as ‘Brandon versus Amazon.’ Amazon’s great. But I think that in the long run, Amazon being a monopoly is actually bad for Amazon. If they don’t have competition, they will stop innovating,” he said.

To get Sanderson’s secret books, fans will have to pledge a minimum of $40 for ebook copies. The audiobook versions will set them back $60 at least, while they’ll have to pledge a minimum of $160 (not including shipping costs) for the premium hardcovers. Sanderson plans to release one book each in January, April, July and October 2023.

Those interested can either go in blind and just wait for the deliveries or read an excerpt from the first book on Sanderson’s website. They can also listen to him read the first book’s opening chapter on YouTube.

Netflix launches its first interactive daily quiz show on April 1st

Netflix’s move into interactive shows is extending beyond the occasional single-episode project. The streaming firm is launching its first interactive daily quiz show, Trivia Quest, on April 1st (no, it’s not an April Fools gag). The Trivia Crack-inspired series will present 24 multiple-choice questions around topics like art and science while weaving a narrative into the experience. You’re meant to help the hero Willy save the people of Trivia Land from a villain bent on hoarding knowledge — contrived, maybe, but it’s more than a pure competition.

Trivia Quest doesn’t offer any real-world prizes, but you can replay an episode to earn more points and make progress toward a “definitive ending.” The title will be available on all devices that support interactive Netflix material, including most modern browsers, mobile devices, smart TVs and streaming hardware.

The company is quick to bill Trivia Quest as an “experiment,” and hasn’t committed to more shows like it. With that said, it wouldn’t be shocking if there were similarly ambitious interactive shows in the future. On top of adding variety, they give you a reason to keep coming back to Netflix where you might turn to other services.