As scared of spiders as many of us are, it’s hard to deny their webs are a kind of work of art, deadly as they may be for insects. Building on this terrible beauty, Berlin-based Argentinian artist Tomás Saraceno has filled the New York art gallery “The Shed” with artificial spider webs. The 404-million-dollar construction, which looks less like a shed and more like a giant steel cushion, first opened in 2019 and has become a high-profile new platform for art in the 21st century. The versatile space is part of the controversial new Hudson Yards neighbourhood, a massive complex overlooking the H…